On Photography by Susan Sontag (1977), digested by Rachel Segal Hamilton What's it about? Melancholy Objects: Notes 'On Photography' Susan Sontag's On Photography (New York: Farrar, Straus and Giroux, 1973) represents a diverse collection of writings, from which I have chosen to use the single theme presented in the essay "Melancholy Objects" (pp.51-82.) As Sontag points out, hermeneutics, the theory of interpretation, was originally applied specifically to the biblical text, but since the 19th century has been applied to literature and art as well. Susan Sontag’s On Photography is one of the best studies of photography that you can find. Photojournalism—Social aspects. Why Mapplethorpe’s Photographs Remain Subversive, Even without the Shock Value, Revisiting Diane Arbus’s Final and Most Controversial Series, The Photograph That Launched Edward Steichen’s Career, The Mysterious Appeal of Art That Depicts Figures from Behind, Elise Daniels with Street Performers, Suit by Balenciaga, Le Marais, Paris, August 1948. Though On Photography ( public library) — the seminal collection of essays by reconstructionist Susan Sontag — was originally published in 1977, Sontag’s astute insight resonates with extraordinary timeliness today, shedding light on the psychology and social dynamics of visual culture online. On Photography by Susan Sontag is a treatise on photography; what meaning it holds, both in Western civilisation, as well as other cultures and how such meaning has changed through the relatively short history of the medium. Susan Sontag was born in New York City on January 16, 1933, grew up in Tucson, Arizona, and attended high school in Los Angeles. This paper will be analyzing three photographs with reference to Susan Sontag’s theories about photography. Susan Sontag’s On Photography is a seminal and groundbreaking work on the subject. Sontag’s last essay on photography, “Regarding the Torture of Others,” published in 2004 in the New York Times Magazine, discusses the photographs that sparked the Abu Ghraib prison abuse scandal. Susan Sontag: On Photography. In the book, Sontag expresses her views on the history and present-day role of photography in capitalist societies as of the 1970s. She discussed. Sontag continued to theorize about the role of photography in real life in her essay "Looking at War: Photography's View of Devastation and Death," which appeared in the December 9, 2002 issue of The New Yorker. The framework will specifically be within a genre defined by photographer David Ward, as ‘Romantic landscape’, (Ward, Susan Sontag 's Theories About Photography Essay, Throughout the Great Depression, and through the creation of the New Deal, the Civilian Conservation Corps (CCC) was created to give men jobs and improve the economy. p. cm. But more unnerving was Sontag’s proclamation of the camera as a weapon. The more images of violence we see—of war; of victims of hunger or famine; or other injustices—the more immune to them we become. Susan Sontag – Quotes from ‘On Photography’ mickyates April 10, 2019 ContextualResearch , Critical Research Journal , Critical Theory , Documentary , ICWeek11 , Ideas , Informing Contexts , Media Theory , Photography , Portrait , Quotes Leave a Comment They may be near the worksite because far in the background is a mountain. The power of men over women has always existed. Photography is the world's number one hobby. Limited-Edition Prints by Leading Artists. In 2019, her writings still incite more mindful looking, picture-taking, and consideration of the way we experience so much of modern life: through screens and lenses. This argument, Sontag says, is widely accepted in modern culture which is constantly engaged with producing and consuming images to such a degree that photography has been made essential for the health of the economy and the stability of social … War photography-Social aspects. 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